How Do You Interview Your Parents?
Most people intend to record their parents’ stories and never start, partly because it feels morbid and partly because they do not know how to begin a conversation they have avoided for decades. Oral historians solve both problems the same way: with a structure that makes it a project rather than a confrontation.
How do you actually start?
Ask permission explicitly and explain why, then begin with the earliest material: where they were born, what the house was like, who else lived there. Childhood is safer ground than adulthood and it establishes the rhythm of answering at length before harder subjects arrive.
Starting chronologically is not just tidiness. Memory is organised around places and periods, and asking about a childhood kitchen unlocks far more detail than asking someone to summarise their life. The concrete question retrieves what the abstract one cannot.
What kinds of questions work best?
Open questions that ask for description rather than fact. What was it like, tell me about, what do you remember about, how did that feel. Closed questions produce dates and names; open ones produce the texture that makes a recording worth keeping.
The most useful single question in oral history is some version of what happened next. It keeps a narrative moving without steering it, and it signals that you want the whole story rather than the summary version told at family gatherings.
Why does silence matter?
Because people fill it, and what they add after a pause is often the part they were deciding whether to say. Interviewers who move immediately to the next question systematically lose the second half of answers. Count to five before speaking again.
This is the hardest technique to apply because silence in normal conversation feels like failure. In an interview it is the main tool you have. Nodding rather than speaking, and letting the pause run, produces material that no additional question would have reached.
How long should a session be?
Sixty to ninety minutes, then stop, even if it is going well. Concentration fades and older interviewees tire faster than they will admit. Several sessions across weeks produce better material than one exhaustive afternoon, and they give both parties time to remember more.
The gap between sessions does real work. People go away and recall things they had not thought about in years, often arriving at the next session wanting to correct or extend what they said. That second pass is frequently where the best material appears.
Key takeaways
- Ask permission explicitly, then start with childhood rather than achievements.
- Open questions asking what something was like beat closed factual ones.
- Wait five seconds after an answer ends; people fill the silence with the real material.
- Keep sessions to 60 to 90 minutes and spread them across weeks.
- The gap between sessions prompts recall that a single long interview never reaches.
Frequently asked questions
- What if they refuse to be recorded?
- Ask what specifically concerns them, since it is often the idea of a permanent public record rather than the recording itself. Agreeing that the file stays within the family, and that they can stop or delete anything, resolves it for most people. Never record without consent.
- How do you handle painful subjects?
- Signal them in advance rather than ambushing, and give an explicit exit: we can skip this if you would rather. Accept a refusal without pressing. Difficult material often surfaces later of its own accord once trust in the process is established.
- Should you correct factual errors?
- Not during the interview. Interrupting to correct a date disrupts the narrative and shifts the dynamic from listening to examining. Note it and check afterwards. What they remember, including inaccurately, is itself part of the record.
- Is it better if someone else interviews them?
- Sometimes. Parents occasionally speak more openly to a grandchild, a niece or a family friend than to their own child, because the relationship carries less history. If a first attempt stalls, a different interviewer is worth trying before concluding they do not want to talk.
Oral History & Family Archives, BigBalli. We draw on oral history practice from StoryCorps, the Oral History Association and the Library of Congress.